《假的表演就是（真的）表演》
Fake Performance is (Real) Performance

舞台上有没有绝对的真实？

训练、选角、创作、排练、制作……这个演出按部就班地进行着，直到一个意外事件的介入，原计划无法执行。当一切都被推翻时，演员们该选择虚假地搬演一个演出，还是真实地重现一个事件？

如果舞台上的表演注定都是虚假的，那为什么我们对表演的信条是“真听、真看、真感受”？表演究竟是一门“弄虚作假”的技术，还是一场“真情实感”的事件？演员们能否从写实主义表演的信条中解放出来，寻找到对表演更大胆的定义呢？

《假的表演就是（真的）表演》由香港导演梁晓端执导，由南艺戏剧专业文凭（华语）的毕业班同学们集体创作。作品打破了传统表演的界限，探讨表演的本质和演员的定位，成为一场关于真实、叙事构建和自主性的深刻对话。

Can absolute truth ever exist on stage?

Training, casting, creation, rehearsals, production—everything proceeds as planned until an unforeseen event disrupts the process. The original plan becomes impossible to execute. In this moment of upheaval, do the actors still construct an illusion, or do they truthfully reenact the event?

If all stage performances are inherently artificial, why do we uphold the principles of "true listening, true seeing, and true feeling"? Is acting merely the craft of fabrication, or is it an event of genuine emotional experience? Can actors break free from the conventions of realism to redefine performance through bold new perspectives?

Fake Performance is (Real) Performance is directed by Hong Kong’s Melissa Leung Hiu Tuen and collaboratively devised by the graduating students of NAFA’s Diploma in Theatre (Mandarin) program. This production transcends the boundaries of conventional theatre, exploring the essence of acting and the evolving role of the performer. It unfolds as a profound dialogue on authenticity, narrative construction, and artistic autonomy.